It is based on Bakhtin 'polyphony' theory, creating equal dialogue value through simultaneous singing. Each work involves field recordings that capture a state of hyper-perception, transforming wandering sounds into rhythmic “bells,” resonant carriers interwoven with ambient spatial journeys. By listening, tracing, gazing, and reshaping, I engage in a dynamic dialogue with natural relics, creating a polyphonic healing space. My research not only examines the application of immersive soundscapes and cybernetic principles in art but also offers a perceptual approach to reconnecting with personal, historical, and natural realms, fostering psychological and emotional healing.