From a particular perspective, the term "female ghost" is even a tautology. I In stark contrast, the narrator's voice remains unaltered, a deliberate choice that hints at contemporary processing in sonic space, possibly through electroacoustic technology. This unprocessed voice, seemingly transcendent, as if traversing infinite fragments of memory, is a testament to the cosmos, a fleeting moment in time, merging seamlessly with the past, present, and future. 

These monuments will serve as spaces for contemplation, situated in serene landscapes or ancient ruins, where visitors can reflect on the concept of dissociation and its intersection with the natural world. I adopt the form of artistic installations, resembling a series of monuments, incorporating elements that evoke a sense of haunting and separation. Indeed, the interaction between female and male ghosts, especially when it results in rebirth or resurrection, inevitably suggests wider cosmic decay and regeneration processes. 

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Field-recording,
Moving images,
AV programming,
sound  installation,
2’ 40,
(03, 2024)


Exhibition
July 2024: MRes RCA 2024 Research Journeys, RCA Battersea Hangar Space, London.

April 2024: Fragments for the Future, RCA
Battersea Hangar Space, London.





























Communication design
Sound art
Live performance
Digital storytelling